Floyd Zadlovich

New York & London

I recently teamed up with international law firm Floyd Zadkovich to create a new set of staff portraits as part of their website redesign. The shoots took place across their offices in New York and London, aiming to reflect the firm’s global reach and modern outlook.

Clean and Simple

The brief was to capture portraits that feel sharp, confident and approachable. We kept things clean and simple - natural light, minimal backgrounds, and a focus on expression and presence. The team were a pleasure to work with on both sides of the Atlantic. As a lifestyle photographer I wanted to bring a bit of life to the set.

See the full series here: https://www.floydzad.com/team/

Lifestyle and advertising photographer Jon Enoch shoots these corporate portraits for Floyd Zadkovich
lifestyle and advertising photographer Jon Enoch shoots these corporate portraits for Floyd Zadkovich
lifestyle and advertising photographer Jon Enoch shoots these corporate portraits for Floyd Zadkovich
lifestyle and advertising photographer Jon Enoch shoots these corporate portraits for Floyd Zadkovich

Shallow

I was in the studio recently just adding some image to the portfolio. I had an oldish image (the man in glasses) and wanted to create a slightly wider set around that style. Shooting ultra shallow at f1.2 and using continuous lighting to get a very specific look and feel. As a portrait photographer its vital to always find some time to play and experiment - you don’t get much time to do that on commissioned shoots.

A studio portrait show with a very shallow depth of field to really draw the viewer into the subjects eyes.
A studio portrait show with a very shallow depth of field to really draw the viewer into the subjects eyes.
A studio portrait show with a very shallow depth of field to really draw the viewer into the subjects eyes.
A studio portrait show with a very shallow depth of field to really draw the viewer into the subjects eyes.
A studio portrait show with a very shallow depth of field to really draw the viewer into the subjects eyes.